Sandra ff models set 2131/28/2024 ![]() ![]() Bernhardt told the jury she would instead recite the fable of the Two Pigeons by La Fontaine. She was supposed to recite verses from Racine, but no one had told her that she needed someone to give her cues as she recited. The jury was composed of Auber and five leading actors and actresses from the Comédie Française. She began preparing, as she described it in her memoirs, "with that vivid exaggeration with which I embrace any new enterprise." Dumas coached her. Morny used his influence with the composer Daniel Auber, the head of the Paris Conservatory, to arrange for Bernhardt to audition. After the performance, Dumas called her "my little star". Morny and others in their party were angry at her and left, but Dumas comforted her, and later told Morny that he believed that she was destined for the stage. Bernhardt was so moved by the emotion of the play, she began to sob loudly, disturbing the rest of the audience. The play they attended was Britannicus, by Jean Racine, followed by the classical comedy Amphitryon by Plautus. Morny arranged for her to attend her first theatre performance at the Comédie Française in a party which included her mother, Morny, and his friend Alexandre Dumas père. Morny proposed that Bernhardt should become an actress, an idea that horrified Bernhardt, as she had never been inside a theatre. Her mother summoned a family council, including Morny, to decide what to do with her. In 1857, Bernhardt learned that her father had died overseas. Regardless, she accepted the last rites shortly before her death. I'm an atheist" to an earlier question by composer and compatriot Charles Gounod if she ever prayed. I'm waiting until Christians become better." That contrasted her answer, "No, never. When asked years later by a reporter if she were a Christian, she replied: "No, I'm a Roman Catholic, and a member of the great Jewish race. However, she never forgot her Jewish heritage. She received her first communion as a Roman Catholic in 1856, and thereafter she was fervently religious. ![]() She declared her intention to become a nun, but did not always follow convent rules she was accused of sacrilege when she arranged a Christian burial, with a procession and ceremony, for her pet lizard. At the convent, she performed the part of the Archangel Raphael in a story based on the book of Tobit. At the age of 10, with the sponsorship of Morny, Bernhardt was admitted to Grandchamp, an exclusive Augustine convent school near Versailles. Her patrons and friends included Charles de Morny, Duke of Morny, the half-brother of Emperor Napoleon III and President of the French legislature. While she was in the boarding school, her mother rose to the top ranks of Parisian courtesans, consorting with politicians, bankers, generals, and writers. There, she acted in her first theatrical performance in the play Clothilde, where she held the role of the Queen of the Fairies, and performed her first of many dramatic death scenes. When Bernhardt was seven, her mother sent her to a boarding school for young ladies in the Paris suburb of Auteuil, paid with funds from her father's family. She placed Bernhardt with a nurse in Brittany, then in a cottage in the Paris suburb of Neuilly-sur-Seine. Her mother travelled frequently, and saw little of her daughter. Bernhardt later wrote that her father's family paid for her education, insisted she be baptised as a Catholic, and left a large sum to be paid when she came of age. The name of her father was not recorded for a long time, but he is known now to have been an attorney in Le Havre. She was the daughter of Judith Bernard (also known as Julie and in France as Youle), a Dutch Jewish courtesan with a wealthy or upper-class clientele. ![]() Henriette-Rosine Bernard was born at 5 rue de L'École-de-Médecine in the Latin Quarter of Paris on 22 October 1844. Mucha became one of the more sought-after artists of this period for his Art Nouveau style.īiography Early life Bernhardt with her mother She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. She made several theatrical tours around the world, and she was one of the early prominent actresses to make sound recordings and to act in motion pictures. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She also played male roles, including Shakespeare's Hamlet. Sarah Bernhardt ( French: born Henriette-Rosine Bernard 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the more popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. ![]()
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